Of the perception of the images in the interpretation of the lived.
Following the example of the thought, of the reasoning, the eye should compose with a multitude
of elements registered consciously or not to reach a global nature of the lived.
By means of the inclusions, juxtapositions and the other superimposing, games of shadow
and of light, various plans, by the interaction and the simultaneity of these
elements, the glance leaves on the meeting of an active and compound scene.
Please , discover John-Philipp AIZIER's poetry By clicking the parchment > > > > |
|
| . | |